Cettire — Autumn 25 | Cinematography by Vitaly Kazanin
Cettire — Autumn 25 was designed as a short fashion art film built on silhouette, isolation, and repetition—more performance/video-art than a classic fashion narrative. The visual language relies on controlled, sculptural blocking inside a modern architectural location (strong color planes, corridors, and hard lines) where the model becomes a “moving sculpture” against the space.
The core concept plays with micro-actions repeated across different environments (a single step, a pause, a freeze), turning movement into rhythm and fashion into a ritual. Several sequences were intentionally executed as static, symmetrical frames to amplify graphic composition, then contrasted with minimal, deliberate motion for tension and release. [oai_citation:0‡Scarica il PDF “Cettire Creative Shooting Deck”.pdf](sediment://file_0000000006e8722fa96fec32c73e244a)
Deliverables were planned as a modular system: multiple 15-second cuts (impact-first ordering, strong openings/closings) plus a 60-second long edit, so the same visual grammar could live across social formats while staying coherent and premium.
Technical Notes
- Camera: RED Komodo X
- Frame rates: Mix of standard speed + selected slow-motion moments (for “freeze / pause” beats)
- Lenses: Laowa 10mm (graphic distortion / architecture), 16–25mm, 24–70mm (versatile coverage)
- Support: Ronin + handheld + tripod + Cinesaddle (switching from controlled tableaux to subtle motion)
- Scene language: Repetition across locations (same gesture), deliberate pauses/freezes, light used as a sculptural element
- Intent: Clean fashion image with a conceptual edge—space, body, and wardrobe treated as one composition