VK | LAB
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Cinematography Tech Lab
In-depth analyses, color workflows, and sensor architectures of the best cinema cameras on the market.
ARRI
Large Format
Alexa Mini LF
The Golden Standard. Exposure Index analysis, ProRes/ARRIRAW workflow, and LogC3 color science.
Read Analysis →
ARRI
Super 35
Alexa 35
The new paradigm. ALEV 4 sensor with 17 stops of dynamic range, LogC4, and ARRI Textures management.
Read Analysis →
RED
8K VV Global Shutter
V-RAPTOR [X]
The Global Shutter giant. Extended Highlights study (17+ stops) and Phantom Track workflow.
Read Analysis →
RED
6K S35 Global Shutter
Komodo X
Advanced RAW ISO management, IPP2 pipeline, and Gio Scope exposure tools.
Read Analysis →
SONY
CineAlta 8.6K
Venice 2
The Full Frame flagship. 16-bit X-OCN workflow, true Dual Base ISO, and s709 color science.
Read Analysis →
SONY
Cinema Line FF
FX3
Guide to Dual Base ISO, Zebra exposure in S-Log3, and Cinematic Autofocus settings.
Read Analysis →
FUJIFILM
Color Science
Film Simulations
Analysis of the 14+ stop F-Log2 curve and the native cinematic aesthetic of ETERNA film simulation.
Read Analysis →
VK | LAB
|
Cinematography Tech Lab
Analisi approfondite, workflow colore e architettura dei sensori delle migliori macchine da presa sul mercato.
ARRI
Large Format
Alexa Mini LF
Il Golden Standard. Analisi dell'Exposure Index, workflow ProRes/ARRIRAW e scienza del colore LogC3.
Leggi Analisi →
ARRI
Super 35
Alexa 35
Il nuovo paradigma. Sensore ALEV 4 con 17 stop di gamma dinamica, LogC4 e gestione delle ARRI Textures.
Leggi Analisi →
RED
8K VV Global Shutter
V-RAPTOR [X]
Il gigante Global Shutter. Studio sugli Extended Highlights (17+ stop) e workflow Phantom Track.
Leggi Analisi →
RED
6K S35 Global Shutter
Komodo X
Gestione avanzata ISO nel mondo RAW, pipeline IPP2 e strumenti d'esposizione Gio Scope.
Leggi Analisi →
SONY
CineAlta 8.6K
Venice 2
L'ammiraglia Full Frame. Workflow 16-bit X-OCN, Dual Base ISO reale e color science s709.
Leggi Analisi →
SONY
Cinema Line FF
FX3
Guida al Dual Base ISO, esposizione Zebra in S-Log3 e settaggi dell'Autofocus Cinematografico.
Leggi Analisi →
FUJIFILM
Color Science
Film Simulations
Analisi della curva F-Log2 a 14+ stop e l'estetica cinematografica nativa della pellicola ETERNA.
Leggi Analisi →